＜La Dolce＞La Dolce Vita 2024

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1960 Italian comedy-drama film directed by Federico Fellini

La Dolce Vita (Italian pronunciation: [la ˈdoltʃe ˈviːta]; Italian for "the sweet life" or "the good life"[2]) is a 1960 satirical comedy-drama film directed and co-written (with Ennio Flaiano, Tullio Pinelli and Brunello Rondi) by Federico Fellini. The film stars Marcello Mastroianni as Marcello Rubini, a tabloid journalist who, over seven days and nights, journeys through the "sweet life" of Rome in a fruitless search for love and happiness. The screenplay, written by Fellini and three other screenwriters, can be divided into a prologue, seven major episodes interrupted by an intermezzo, and an epilogue, according to the most common interpretation.[3]

Released in Italy on 5 February 1960, La Dolce Vita was both a critical success and worldwide commercial hit, despite censorship in some regions. It won the Palme dOr at the 1960 Cannes Film Festival[4] and the Academy Award for Best Costumes.[5] It was nominated for three more Oscars, including Best Director for Federico Fellini, and Best Original Screenplay. Its success proved a watershed moment for Italian cinema and European cinema-at-large,[6] and it has come to be regarded as a masterpiece of Italian cinema and one of the greatest films of all time.[7]

1st Day Sequence: A helicopter transports a statue of Christ over an ancient Roman aqueduct outside Rome while a second, Marcello Rubinis news helicopter, follows it into the city. The news helicopter is momentarily sidetracked by a group of bikini-clad women sunbathing on the rooftop of a high-rise apartment building. Hovering above, Marcello uses gestures to elicit phone numbers from them but fails in his attempt, then shrugs and continues following the statue to Saint Peters Square.

1st Night Sequence: Marcello meets Maddalena by chance in an exclusive nightclub. A beautiful and wealthy heiress, Maddalena is tired of Rome, while Marcello finds it suits him. They make love in the bedroom of a prostitute whom they had given a ride home in Maddalenas Cadillac.

1st Dawn Sequence: Marcello returns to his apartment to find that his fiancée, Emma, has overdosed. On the way to the hospital, he declares his everlasting love to her and again as she lies in a semiconscious state in the emergency room. While waiting frantically for her recovery, however, he tries to make a phone call to Maddalena.

2nd Day Sequence: That day, he goes on assignment for the arrival of Sylvia, a famous Swedish-American actress, at Ciampino airport where she is met by a horde of news reporters.

During Sylvias press conference, Marcello calls home to ensure Emma has taken her medication while reassuring her that he is not alone with Sylvia. After the film star confidently replies to the barrage of journalists questions, her boyfriend Robert enters the room late and drunk. To Sylvias producer, Marcello casually recommends that Sylvia be taken on a tour of St Peters.

Inside St Peters dome, a news reporter complains that Sylvia is "an elevator" because none of them can match her energetic climb up the numerous flights of stairs. Inspired, Marcello maneuvers forward to be alone with her when they finally reach the balcony overlooking St. Peters Square.

2nd Night Sequence: That evening, the infatuated Marcello dances with Sylvia in the Baths of Caracalla. Sylvias natural sensuality triggers raucous partying while Robert, her bored fiancé, draws caricatures and reads a newspaper. His humiliating remark to her causes Sylvia to leave the group, eagerly followed by Marcello and his paparazzi colleagues. Finding themselves alone, Marcello and Sylvia spend the rest of the evening in the alleys of Rome, where they wade into the Trevi Fountain.

2nd Dawn Sequence: Like a magic spell that has suddenly been broken, dawn arrives at the very moment Sylvia playfully "anoints" Marcellos head with fountain water. They drive back to Sylvias hotel to find an enraged Robert waiting for her in his car. Robert slaps Sylvia, orders her to go to bed, and then assaults Marcello, who takes it in stride.

3rd Day Sequence: Marcello meets Steiner, his distinguished intellectual friend, inside a church. Steiner shows off his book of Sanskrit grammar. The two go up to play the organ, offering up a jazz piece for the watching priest before playing Bach.

3rd Day Sequence: Late afternoon, Marcello, his photographer friend Paparazzo, and Emma drive to the outskirts of Rome to cover the story of the purported sighting of the Madonna by two children. Although the Catholic Church is officially skeptical, a huge crowd of devotees and reporters gathers at the site.

3rd Night Sequence: That night, the event is broadcast over Italian radio and television. Emma prays to the Virgin Mary to be given sole possession of Marcellos heart. Blindly following the two children from corner to corner in a downpour, the crowd tears a small tree apart for its branches and leaves said to have sheltered the Madonna.

3rd Dawn Sequence: The gathering ends at dawn with the crowd mourning a sick child, a pilgrim brought by his mother to be healed, but trampled to death in the melee.

4th Night Sequence: One evening, Marcello and Emma attend a gathering at Steiners luxurious home where they are introduced to a group of intellectuals who recite poetry, strum the guitar, offer philosophical ideas, and listen to sounds of nature recorded on tape. The British poet Iris Tree, whose poetry Marcello has read and admired, recommends that Marcello avoid the "prisons" of commitment: "Stay free, available, like me. Never get married. Never choose. Even in love, its better to be chosen." Emma appears enchanted with Steiners home and children, telling Marcello that one day he will have a home like Steiners, but he turns away moodily.

Outside on the terrace, Marcello confesses to Steiner his admiration for all he stands for, but Steiner admits he is torn between the security that a materialistic life affords and his longing for a more spiritual albeit insecure way of life. Steiner philosophizes about the need for love in the world and fears what his children may grow up to face one day.

5th Day Sequence: Marcello spends the afternoon working on his novel at a seaside restaurant where he meets Paola, a young waitress from Perugia playing Perez Prados cha-cha “Patricia” on the jukebox and then humming its tune. He asks her if she has a boyfriend, then describes her as an angel in Umbrian paintings.

5th Night Sequence: Marcello meets his father visiting Rome on the Via Veneto. With Paparazzo, they go to the "Cha-Cha" Club, where Marcello introduces his father to Fanny, a beautiful dancer and one of his past girlfriends (he had promised to get her picture in the paper, but failed to do it). Fanny takes a liking to his father. Marcello tells Paparazzo that as a child he had never seen much of his father, who would spend weeks away from home. Fanny invites Marcellos father back to her flat, and two other dancers invite the two younger men to go with them. Marcello leaves the others when they get to the dancers neighborhood. Fanny comes out of her house, upset that Marcellos father has become ill.

5th Dawn Sequence: Marcellos father has suffered what seems to be a mild heart attack. Marcello wants him to stay with him in Rome so they can get to know each other, but his father, weakened, wants to go home, and gets in a taxi to catch the first train to Cesena. He leaves Marcello forlorn, on the street, watching the taxi leave.

6th Night Sequence: Marcello, Nico, and other friends meet on the Via Veneto and are driven to a castle owned by aristocrats at Bassano di Sutri outside Rome. There is already a party long in progress, and the party-goers are bleary-eyed and intoxicated. By chance, Marcello meets Maddalena again. The two of them explore a suite of ruins annexed to the castle. Maddalena seats Marcello in a vast room and then closets herself in another room connected by an echo chamber. As a disembodied voice, Maddalena asks him to marry her; Marcello professes his love for her, avoiding answering her proposal. Another man kisses and embraces Maddalena, who loses interest in Marcello. He rejoins the group, and eventually spends the night with Jane, a British artist and heiress.

6th Dawn Sequence: Burnt out and bleary-eyed, the group returns at dawn to the main section of the castle, to be met by the matriarch of the castle, who is on her way to mass, accompanied by priests in a procession.

7th Night Sequence: Marcello and Emma are alone in his sports car on an isolated road. Emma starts an argument by professing her love, and tries to get out of the car; Marcello pleads with her not to get out. Emma says that Marcello will never find another woman who loves him the way she does. Marcello becomes enraged, telling her that he cannot live with her smothering, maternal love. He now wants her to get out of the car, but she refuses. With some violence (a bite from her and a slap from him), he throws her out of the car and drives off, leaving her alone on a deserted road at night. Hours later, Emma hears his car returning as she picks flowers by the roadside. She gets into the car with neither of them saying a word.

7th Dawn Sequence: Marcello and Emma are asleep in bed, tenderly intertwined; Marcello receives a phone call. He rushes to the Steiners apartment and learns that Steiner has killed his two children and himself.

8th Day Sequence: After waiting with the police for Steiners wife to return home, he meets her outside to break the terrible news while the paparazzi swarm around her snapping pictures.